Design and Manufacturing at One
The piece does not exist first in a drawing and then in a workshop. Design and making advance together, each shaped by what the other makes possible. That is where every piece begins.
WHY TOGETHER
Design and manufacturing are not separate stages.
In our process, design and manufacturing are not separate steps but a seamless dance. Trying to separate them is like trying to speak half a language; it simply cannot convey the full story. Every detail of production influences the design, and vice versa. No other arrangement could further the same value.
OUR PROCESS
Each piece passes through a sequence of stages in which technical precision and the human hand are held to the same standard. Neither is treated as secondary to the other.
Laser Cutting
Powder coating
embroidery
sculptures
01
Metal embroidery is produced through a specialised industrial setup that allows us to cut, shape, refine and coat highly detailed metal pieces at architectural scale.
Precision Cutting & Forming
We produce metal embroidery using high-performance CNC cutting systems, including laser, plasma and 5-axis waterjet, with cutting beds up to 2 × 6 m and 2 × 4 m for waterjet. The setup supports sheet metal, rectangular profiles and pipes, and is backed by large-capacity bending, in-house CNC-machined bending tools, pipe bending, rolling and automated sheet rolling systems.
Refining & Processing
The sharp edges are removed entirely. The pieces are manually denested, examined, hand-ground and beveled, and passed through an automatic grinding machine fitted with purpose-built accessories. The approach is not a fixed sequence: a design decision, made piece by piece, according to what the material and design require.
Surface Finishing
A six-stage automatic chemical cleaning line with nano-ceramic treatment, a 130°C drying oven, a calibrated spraying chamber and a 30-metre tunnel oven at up to 200°C. Automatic throughout: consistency in powder coating depends on removing manual errors. Attention is freed for the decisions that matter.
Materials
Choosing the right material and thickness is more than a technical detail, it shapes the strength, texture, and lasting beauty of each piece.
Standard Materials
Our standard materials for most metal embroidery and architectural pieces, chosen for reliable cutting, finishing and long-term performance. We can use: Carbon steel, stainless steel and aluminium.
Special Commissions
For special commissions, the material becomes part of the concept. We can process and finish more unusual materials when the project requires something specific. We can use: Bronze, corten, sculpted wood, glass and beyond
For special commissions, the material becomes part of the concept. We can process and finish more unusual materials when the project requires something specific. We can use: Bronze, corten, sculpted wood, glass and beyond
Finishing as Concept
A bronze embroidery can be supra-finished until it feels almost soft, then treated with early verdigris patina. Corten can move beyond a weathered look and become a way to express time, decay and transformation.
OUR PROCESS
Every piece is born from a meticulous journey of precision and care. Our production cycle combines advanced technology with skilled craftsmanship, ensuring each detail meets the highest standards.
embroidery
sculptures
Embroidery
sculptures
02
Sculptural pieces begin with full control over the raw material, from timber drying, impregnation, calibration and pressing to CNC sculpting, precision joinery and controlled surface finishing. Each stage is built to give us accuracy at scale, while leaving room for the final manual superfinishing that brings texture, softness and human presence into the object.
Timber
Pre-Processing
Timber preparation is a design act: the block is built for what sculpting will reveal. A hidden pattern, a sought defect, a composition no pre-made board could provide. Two 100 m3 drying ovens, a 100 m3 autoclave, finger-jointing, four-side planing, CNC saws and presses take the material from raw to what each piece requires.
CNC Sculpting & Joinery
For sculptural furniture and complex forms, we use a 5-axis CNC room with a 6 × 3 × 1.5 m working area, 5-axis lathe-type machinery, 3-axis CNC engraving and multi-processing systems for delicate components. The setup allows precise carving, shaping, fluting, engraving and joinery, including automatic mortise-and-tenon processing.
Surface
Finishing
Finishing combines automated sanding systems, UV drying paint lines and multidirectional spray chambers with manual superfinishing. The machines provide consistency and technical control, while the final hand intervention adjusts texture, softness and presence until it reaches a level the machine cannot produce on its own.
